THE ARTIST

The artist Jang Jaerok was born in Seoul in 1978. His mother is a calligrapher and she must have inspired Jang’s artistic sense since childhood. He did a BA in Asian painting at Dan-kook University and an MA at Hong-ik University, and he is now a PhD candidate in art at Hong-ik University. In his early career, he examined everyday life in capitalist society through modern images in traditional Korean ink painting. His subject is modern sensitivity and his material is objects of desire. Closely looking at his black and white photos, we get to know they are actually ink paintings expressed by light and shade of ink. His ink paintings of luxury cars, jewels and chandeliers are familiar not only to art lovers but also to sports manias. He had exhibitions at venues in Korea including Seoul Museum of Art, Gansong Museum, Gyeonggi Museum of Modern Art, Gyeongnam Art Museum and Pohang Museum of Steel Art. Lately, he participated in the main exhibit at Busan Biennale 2016 where he extended his work by adding installation to his traditional Korean ink painting methods to show modern images. His activity is not limited in Korea, but he also actively takes part in international exchange shows. He designed international exhibits in cooperation with German organizations.

Jang was fascinated by huge artificial structures and sophisticated machines. Consequently, his Korean paintings somewhat look like architectural drawings on graph paper measured with a ruler. In his paintings, we cannot find traditional features of Asian painting like drawing with one stroke of a brush or cheerful vitality. We live in a world full of machinery and artificial structures. He does not only show surface of neatly cut machines or structures; they feel like bizarre, scary anatomical charts of human body.

Another Landscape (Brooklyn Bridge) +Heart โ…ฃ, Busan Biennale


THE ARTIST'S STATEMENT

Painting is a general display of senses that are made when human consciousness interacts with the exterior world. However, the literary critic Herman Northrop Frye said, “A poem is only imitation of another poem”. If his theory is applied to painting, some might agree in some aspects. Painting is imitation of another image, not that of another painting. Nowadays, imitating photos is a main trend. Photos are products of camera mechanism. In other words, photos are results of arrangement of numberless 0s and 1s in binary system. Thus, what we see is only arranged numbers, and modern painting is imitation of the arranged numbers.

Painting is the first human consciousness. Human beings were consistently stuck to Nature (in-sist). They could be finally detached from Nature when they started painting (ek-sist). We call this existence. Since the era of existence, human beings have been under control of images. Letters and number are invented to criticize the spell of images. Paradoxically, number gave birth to images again. Number is a tool for critical thinking but it casts a spell on us again. This is “digital phenomenon”.

Again, letters and number are invented to escape the spell and Nature. Letters and number helped understand Nature in a form of equation. Equations have made massive bridges and, moreover, machine civilization. Moving from massive material civilization to information civilization, humans do not become enlightened but they are caught in the whirlpool of images. Furthermore, the whirlpool of the uncertain future mythicizes human economy, politics and culture. Again, spell, demythicization, re-spell, rationalization, enlightenment, re-chaos and unpredictability take turns, and the pattern makes human history.

Asian painting is my method. Asian painting is not an imitation of Nature nor expression of mind, different from western paintings. It is a training of my emotion and belief throughout my life. Asian painting is mind training and realization of moral life as well as techniques. It is morally and spiritually elevated life itself. I hold the spirit of Asian painting. At the same time, I explore the world with pixels of images. I use traditional Asian painting for a form, and for content I examine the reality of absurd human civilization that has been mythicized in the name of rationality. The form is photographic images fabricated by 0 and 1 of binary system. I question about the issues in 21st century, in the firm belief in the dialectical pattern of the immense human history. That is my mission as an artist.





b. 1978, Seoul; lives and works in Seoul, korea


EDUCATION

Candidate for the Ph.D. Oriental Painting, Graduate School of Hong-Ik University, Korea

2006 MFA. in Oriental Art, Hong-Ik University, Korea

2004 BFA. in Oriental Art, Dan-Kook University, Korea


SELECTED SOLO EXHIBITION

2023 Adaptation, Gallery CNK, Daegu, Korea

2022 The Square, Perigee Gallery, Seoul, Korea

2019 Inner Side, UM Gallery, Seoul, Korea

2015 Another Place, Helioart, Seoul, Korea

2014 Another Place, Elektrohaus, Hamburg, Germany

2012 Memento of Momentum, Gallery ARTSIDE, Seoul, Korea

2011 Blot Background, Gallery ARTSIDE, Beijing, China

2009 Another Landscape 20091107, Koreaartcenter, Busan, Korea

2009 Another Landscape 20090527, GALLERY HYUNDAI(window gallery), Seoul, Korea

2009 Another Landscape 20090327, Wellside Gallery, Seoul, Korea

          Wellside Gallery, Shanghai, China

2008 Another Landscape 20081030, UM Gallery, Seoul, korea

2008 Another Landscape 20080807, Seo Gallery, Seoul, Korea

2007 Another Landscape 20070905, Insa Art Center, Seoul, Korea

2007 Another Landscape, Seoul Art Center, Seoul, Korea


SELECTED GROUP EXHIBITION

2024 Move Sound Image, Ground Seoul, Seoul, Korea

2023 Life is Now Kinder Than Paradise, Jeju Museum of Art, Jeju, Korea

2022 Cryptesthesia, Baeryeom’s House, Seoul, Korea

2022 Perigee Wintershow, Perigee Gallery, Seoul, Korea

2019 Shan Shui-Nature Oppressed, Leeungno Museum, Daejeon, Korea

2018 Three Mirrors from Korea, National Museum of the Cultures-INAH, Mexico City, Mexico

2018 Station Paradox, Momentum, Berlin, Germany

2018 SUMUK Biennale, Mokpo Culture & Arts Center, Mokpo, Korea

2018 Yeosu International Art Festival, Yeosu, Korea

2017 Hunminjeongeum and Nanjung ilgi:Look, Again, Kansong Art Museum, Seoul, Korea

2017 100 Albums 100 Artist, Avenuel Art Hall, Seoul, Korea

2016 Hyperrealism, Yeulmaru, Yeosu, Korea

2016 Craving Colors, 63 Sky Art Museum, Seoul, Korea

2016 Out of Worldly, Westwerk e.v., Hamburg, Germany

2016 Art Coreen, Racine de la modernite, Musee Adam Mickiewicz, Paris, France

2016 Busan Biennale-Hybridizing Earth, Discussing Multitude, F1963, Busan, Korea

2016 Old&New: Contemporary Artist Rrmembering Kansong, Kansong Art Museum, Seoul, Korea

2014 Tomorrow2014, DDP, Seoul, Korea

2013 Inner Sense, Gyeonggi Museum of Modern Art, Ansan, Korea

2013 Art Gwang-ju 13, Promotion Exhibition, bloody Trial, KDJ Convention Center, Gwangju, Korea

2013 Evolution of Korean Painting, HHI Culture & Arts Center, Ulsan, Korea

2012 Big Black Smoke, Gallery Genscher, Hamburg, Germany

2012 Bartz Revolution, Gyeonggi Museum of Modern Art, Ansan, Korea

2011 The Spectrum of Contemporary Korean Art, Kaohsiung Meseum of Fine Arts, Kaohsiung, Taiwan

2011 Rediscovery of Korean Painting, Seongnam Arts Center, Seongnam, Korea

2011 Wonderpia(Wonder+Heteropias), Seoul Museum of Art, Seoul, Korea

2010 Korean Fantasy Painting, Seoul Museum of Art, Seoul, Korea

2010 Wow~! Funny Pop, Gyeongnam Art Museum, Changwon, Korea

2010 In The Name of The Korea Painting, Pohang Museum of Steel art, Pohang, Korea

2010 In the history of illusion and desire, Cyan Museum of Art, Yeoungcheon, Korea

2010 Art Docking Spot, Woomyung, Hanam, Korea

2010 ART ROAD 77, Keumsan Gallery, Heyri, Korea

2010 do Window vol2, Gallery Hyundai, Seoul, Korea

2010 PUBLIC ART NEW HERO,Keumsan Gallery, Heyri, Korea

2010 SH CONTEMPORARY, Shanghai, China

2010 ART BEIJING, Beijing, China

2010 CIGE, Beijing, China

2010 Korean Art Show, la venue, Newyork, the United States

2010 AHAF-seoul, HOTEL SHILLA, Seoul, Korea

2010 AHAF-hongkong, grand hyatt hong kong, Hongkong, China

2009 Tri-VISTA of Korea, art company H, Seoul, Korea

2009 INSA ART FESTIVAL, GALLERY ARTSIDE, Seoul, Korea

2009 HEROPIA, SEO Gallery, Seoul, Korea

2009 ART ROAD 77, ART SPACE HANGIL, Heyri, Korea

2009 Blue Dot ASIA, Seoul Art Center, Seoul, Korea

2009 ARTO BUSAN 2009, CENTEM HOTEL, Busan, Korea

2009 AHAF-seoul 09, HYATT HOTEL, Seoul, Korea

2009 ART DAEGU 2009, Daegu EXCO, Daegu, Korea

2009 KIAF, Coex, Seoul, Korea

2009 Korea Gallery Art Fair, Bexco, Busan, Korea

2008 TCAF, Toubi Bijyutsu Club, Tokyo, Japan

2008 Wonder Brand, Gana Forum, Seoul, Korea

2008 IYAP2008, Interalia, Seoul, Korea

2008 Art Group Start, Finance Building, Seoul, Korea

2007 Korea-China Contemporary Art, Dae-Jeon City Art Museum, Dae-Jeon, Korea

2006 Oriental Painting Meet With Exchange Exhibition, Gallery Yul, Boon-Dang, Korea

2006 Drawing is... , Gallery Da, Seoul, Korea

2006 A Small Painting Christmas, Gallery Gaia, Seoul, Korea

2006 Say My Name, Kong-Pyung Art Center, Seoul, Korea

2006 Moden Korea Painting, Gallery Tablo, Seoul, Korea

2006 The West Sea-Belt, Dan-Won Art Museum, An-San, Korea

2006 Korea-China Exchange, Yum-Hwang Museum, Beijing, China,

2006 Hong-Ik University a Classmate, Kong-Pyung Art Center, Seoul, Korea

2005 Seoul Young Biennale, Seoul City Museum, Seoul, Korea

2005 Moden Korea Paing Today & Tomorrow, Lee-Hyung Art Center, Seoul, Korea

2005 The 11th Contemporary Expressions of Korea Young Artist, Topho House, Seoul, Korea

2005 Wa-Won, Hong-Ik University Contemporary Arts Museum, Seoul, Korea

2005 Phil-Mook, Kong-Pyung Art Center, Seoul, Korea

2005 Vision-Diversity of The Korea Contemporary Art, Kyung-Hyang Gallery, Seoul, Korea

2005 Korea-China Contemporary Art, Sejong Center for the Art, Seoul, Korea


SELECTED AWARDS AND RESIDENCY

2017 Ars Counsil Korea-Support for International Exchange, Korea

2016 Ars Counsil Korea-Support for International Exchange, Korea

2011 Artside Studio, Beijing, China

2009 Pubic Art New Hero, Korea

2008 Seo Young Artist, Korea

2007 Danwon Art Festival, Grand prize, Korea

2006 Korea Build Art Festival, Grand prize, Korea


SELECTED TEACHING

2016 Old&New: Contemporary Artist Remembering, Artist Talk Jang Jaerok and Shin Soohyek, Kansong Art Museum, Seoul, Korea

2012-2014 Adjunct Professor, Sungkyunkwan University, Seoul, Korea

2008-2010 Lecturer, Chungbuk National University, Cheongju, Korea

2006-2009 Lecturer, Hannam University, Daejeon, Korea


SELECTED PUBLIC COLLECTIONS

Embassy of the Republic of Korea in Ecuador, Quito, Ecuador

Pohang Museum of Steel Art, Pohang, Korea

BMW Group, Munich, Germany

BMW Korea, Seoul, Korea

Volkswagen Korea, Seoul, Korea

Handok Mortors, Seoul, Korea

Dongsung Mortors, Busan, Korea

Paradise Cultural Foundation, Seoul, Korea

Paradise City, Incheon, Korea

Paradise Hotel Busan, Busan, Korea

Paradise Casino Walkerhill, Seoul, Korea

Imperialpalace Hotel, Seoul, Korea

Goldendew, Seoul, Korea





์ž‘๊ฐ€์†Œ๊ฐœ

์žฅ์žฌ๋ก์€ 1978๋…„ ์„œ์šธ์—์„œ ํƒœ์–ด๋‚ฌ๋‹ค. ์„œ์˜ˆ๊ฐ€์ธ ๋ชจ์นœ์˜ ์˜ํ–ฅ์œผ๋กœ ์–ด๋ฆด์ ๋ถ€ํ„ฐ ๋จน์„ ๊ฐ€๊นŒ์ดํ•˜๋ฉฐ, ๋‹จ๊ตญ๋Œ€ํ•™๊ต์—์„œ ๋™์–‘ํ™”๊ณผ ํ•™์‚ฌ, ํ™์ต๋Œ€ํ•™๊ต ๋Œ€ํ•™์›์—์„œ ๋™์–‘ํ™”๊ณผ ์„์‚ฌ, ํ™์ต๋Œ€ํ•™๊ต ๋Œ€ํ•™์› ๋ฏธ์ˆ ํ•™ ๋ฐ•์‚ฌ๊ณผ์ •์„ ์ˆ˜๋ฃŒํ–ˆ๋‹ค. ์žฅ์žฌ๋ก์€ ์ž‘์—… ์ดˆ๊ธฐ๋ถ€ํ„ฐ ์ „ํ†ต์ ์ธ ์ˆ˜๋ฌตํ™” ๊ธฐ๋ฒ•์œผ๋กœ ํ˜„๋Œ€์ ์ธ ์ด๋ฏธ์ง€๋ฅผ ํ†ตํ•˜์—ฌ ์ž๋ณธ์ฃผ์˜์˜ ์ผ์ƒ์„ ๋‹ค๋ค˜๋‹ค. ํšŒํ™”์˜ ์ฃผ์ œ๋Š” ํ˜„๋Œ€ ์‚ฌํšŒ์˜ ๊ฐ์ˆ˜์„ฑ์ด๋ฉฐ, ๋‹ค๋ฃจ๋Š” ์†Œ์žฌ๋Š” ์ง์ ‘์ ์ธ ์š•๋ง์˜ ๋Œ€์ƒ์ด๋‹ค. ํ‘๋ฐฑ์‚ฌ์ง„ ๊ฐ™์€ ์ž‘ํ’ˆ์€ ๊ฐ€๊นŒ์ด ๋“ค์—ฌ๊ฐ€๋ณด๋ฉด ๋จน์˜ ๋†๋‹ด๋งŒ์œผ๋กœ ๊ทธ๋ ค์ง„ ์ˆ˜๋ฌตํ™”์ด๋‹ค. ์ˆ˜๋ฌตํ™” ๊ธฐ๋ฒ•์„ ์ด์šฉํ•ด ๊ณ ๊ธ‰ ์ž๋™์ฐจ, ๋ณด์„, ์ƒน๋“ค๋ฆฌ์— ๋“ฑ์„ ๊ทธ๋ฆฐ ์žฅ์žฌ๋ก์˜ ์ž‘ํ’ˆ์€ ๋ฏธ์ˆ ์• ํ˜ธ๊ฐ€ ๋ฟ ์•„๋‹ˆ๋ผ ์ž๋™์ฐจ๋งˆ๋‹ˆ์•„๋“ค์—๊ฒŒ๋„ ์นœ์ˆ™ํ•˜๋‹ค. ๊ทธ๋Š” ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๊ฐ„์†ก๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„๋ฏธ์ˆ ๊ด€, ๊ฒฝ๋‚จ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ํฌํ•ญ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๋“ฑ์—์„œ ์ „์‹œ๋ฅผ ๊ฐœ์ตœํ•˜์˜€์œผ๋ฉฐ, 2013๋…„๋ถ€ํ„ฐ ๋…์ผ ์œ ์ˆ˜ ๊ธฐ๊ด€๋“ค๊ณผ ๊ตญ์ œ๊ต๋ฅ˜์ „์„ ๊ธฐํšํ•˜๊ณ , 2016๋…„ ๋ถ€์‚ฐ๋น„์—”๋‚ ๋ ˆ ๋ณธ์ „์‹œ์ž‘๊ฐ€๋กœ ์ฐธ๊ฐ€ํ•˜์—ฌ ํ˜„๋Œ€์  ์†Œ์žฌ๋ฅผ ์ „ํ†ตํ™”๋ฒ•์œผ๋กœ ํ‘œํ˜„ํ•ด ์‹œ๋Œ€์ƒ์„ ๋ณด์—ฌ์ฃผ๋Š” ์ˆ˜๋ฌตํ™”์™€ ์„ค์น˜ ์ž‘์—…์„ ์„ ๋ณด์—ฌ ์ž‘์—… ์˜์—ญ ํ™•์žฅ์„ ์ด๋ฃจ์—ˆ๋‹ค. 2022๋…„ ํŽ˜๋ฆฌ์ง€๊ฐค๋Ÿฌ๋ฆฌ์—์„œ ‘๋” ์Šคํ€˜์–ด’ ๊ฐœ์ธ์ „์„ ์˜คํ”ˆ ํ•˜์˜€์œผ๋ฉฐ, ํ˜„์žฌ ๋“œ๋กœ์ž‰๊ณผ ํ”ฝ์…€์ด ๋‘๋“œ๋Ÿฌ์ง€๋Š” ์ž‘์—…์„ ์ง„ํ–‰์ค‘์ด๋‹ค.  ์œ„ ์—์„œ ๋ณด๋“ฏ ํ•œ๊ตญ์˜ ์ „ํ†ต์„ ๊ธฐ๋ฐ˜์œผ๋กœ ๊ตญ๋‚ด์™ธ์—์„œ ํ™œ๋ฐœํ•œ ํ™œ๋™์„ ์ด์–ด๊ฐ€๊ณ  ์žˆ๋‹ค.





1978๋…„ ์„œ์šธ์ถœ์ƒ


ํ•™๋ ฅ

ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋ฏธ์ˆ ํ•™๊ณผ ๋ฐ•์‚ฌ๊ณผ์ • ์ˆ˜๋ฃŒ

ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋™์–‘ํ™”๊ณผ ์„์‚ฌ

๋‹จ๊ตญ๋Œ€ํ•™๊ต ์˜ˆ์ˆ ๋Œ€ํ•™ ๋™์–‘ํ™”๊ณผ ํ•™์‚ฌ


์ฃผ์š” ๊ฐœ์ธ์ „

2023 ์ˆœ์‘, ์”จ์—”์ผ€์ด๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ, ํ•œ๊ตญ

2022 ์‚ฌ๊ฐ, ํŽ˜๋ฆฌ์ง€๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2019 ๋‚ด๋ฉด์†์œผ๋กœ, ์œ ์— ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2015 ๋˜ ๋‹ค๋ฅธ ๊ณต๊ฐ„,ํ—ฌ๋ฆฌ์˜ค์•„ํŠธ, ์„œ์šธ, ํ•œ๊ตญ

2014 ๋˜ ๋‹ค๋ฅธ ๊ณต๊ฐ„, ์ผ๋ ‰ํŠธ๋กœํ•˜์šฐ์Šค, ํ•จ๋ถ€๋ฅดํฌ, ๋…์ผ

2012 ๊ฐ€์†์˜ ๊ธฐ๋…๋ฌผ, ์•„ํŠธ์‚ฌ์ด๋“œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2011 ์–ผ๋ฃฉ์ง„ ๋ฐฐ๊ฒฝ, ์•„ํŠธ์‚ฌ์ด๋“œ๊ฐค๋Ÿฌ๋ฆฌ, ๋ถ๊ฒฝ, ์ค‘๊ตญ

2009 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20091107, ์ฝ”๋ฆฌ์•„์•„ํŠธ์„ผํ„ฐ, ๋ถ€์‚ฐ, ํ•œ๊ตญ

2009 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20090527, ๊ฐค๋Ÿฌ๋ฆฌํ˜„๋Œ€(์œˆ๋„์šฐ๊ฐค๋Ÿฌ๋ฆฌ), ์„œ์šธ, ํ•œ๊ตญ

2009 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20090327, ์ƒ˜ํ„ฐํ™”๋ž‘, ์„œ์šธ, ํ•œ๊ตญ

                                                 ์ƒ˜ํ„ฐํ™”๋ž‘, ์ƒํ•ด, ์ค‘๊ตญ

2008 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20081030, ์œ ์— ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2008 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20080807, ์„ธ์˜ค๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2007 ๋˜ ๋‹ค๋ฅธ ํ’๊ฒฝ 20070905, ์ธ์‚ฌ์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ


์ฃผ์š” ๊ทธ๋ฃน์ „

2024 Move Sound Image, ๊ทธ๋ผ์šด๋“œ์„œ์šธ, ์„œ์šธ, ํ•œ๊ตญ

2023 ๋ฌด๋ฆ‰๋„์›๋ณด๋‹ค ์ง€๊ธˆ ์‚ถ์ด ๋” ๋‹ค์ •ํ•˜๋„๋‹ค, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ œ์ฃผ, ํ•œ๊ตญ

2022 ์ž ์žฌ๊ฐ๊ฐ, ๋ฐฐ๋ ด๊ฐ€์˜ฅ, ์„œ์šธ, ํ•œ๊ตญ

2022 ํŽ˜๋ฆฌ์ง€์œˆํ„ฐ์‡ผ, ํŽ˜๋ฆฌ์ง€๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2019 ์‚ฐ์ˆ˜-์–ต์••๋œ์ž์—ฐ, ์ด์‘๋…ธ๋ฏธ์ˆ ๊ด€, ๋Œ€์ „, ํ•œ๊ตญ

2018 ์„ธ ๊ฐœ์˜ ๊ฑฐ์šธ, ๋ฉ•์‹œ์ฝ”๊ตญ๋ฆฝ๋ฌธํ™”๋ฐ•๋ฌผ๊ด€, ๋ฉ•์‹œ์ฝ”์‹œํ‹ฐ, ๋ฉ•์‹œ์ฝ”

2018 ์—ญ์„ค์—ญ, ๋ชจ๋ฉ˜ํˆผ, ๋ฒ ๋ฅผ๋ฆฐ, ๋…์ผ

2018 ์ˆ˜๋ฌต๋น„์—”๋‚ ๋ ˆ, ๋…ธ์ ๋ด‰๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋ชฉํฌ, ํ•œ๊ตญ

2018 ์—ฌ์ˆ˜ ๊ตญ์ œ ์•„ํŠธํŽ˜์Šคํ‹ฐ๋ฒŒ, ์—ฌ์ˆ˜ ์—‘์Šคํฌ๊ด€, ์—ฌ์ˆ˜, ํ•œ๊ตญ

2017 ํ›ˆ๋ฏผ์ •์Œ๊ณผ ๋‚œ์ค‘์ผ๊ธฐ, ๊ฐ„์†ก๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2017 100 ์Œ๋ฐ˜ 100 ์ž‘๊ฐ€, ์—๋น„๋‰ด์—˜์•„ํŠธํ™€, ์„œ์šธ, ํ•œ๊ตญ

2016 ํ•˜์ดํผ๋ฆฌ์–ผ๋ฆฌ์ฆ˜, ์˜ˆ์šธ๋งˆ๋ฃจ, ์—ฌ์ˆ˜, ํ•œ๊ตญ

2016 ํƒ์ƒ‰, 63์•„ํŠธ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2016 ์„ธ์ƒ๋ฐ–์œผ๋กœ, ๋ฒ ์ŠคํŠธ๋ฒ ์–ต, ์„œ์šธ, ํ•œ๊ตญ

2016 ํ•œ๊ตญ ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ๊ทผ์›, ์•„๋‹ด ๋ฏธ์ธ ํ‚ค์—๋น„์ธ  ๋ฐ•๋ฌผ๊ด€, ํŒŒ๋ฆฌ, ํ”„๋ž‘์Šค

2016 ๋ถ€์‚ฐ๋น„์—”๋‚ ๋ ˆ-๋‹ค์ค‘์ง€์„ฑ ์˜ ๊ณต๋ก ์žฅ, F1963, ๋ถ€์‚ฐ, ํ•œ๊ตญ

2016 ๋ฒ•๊ณ ์ฐฝ์‹ -ํ˜„๋Œ€์ž‘๊ฐ€ ๊ฐ„์†ก์„ ๊ธฐ๋ฆฌ๋‹ค, ๊ฐ„์†ก๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2014 ํˆฌ๋ชจ๋กœ์šฐ2014, DDP,์„œ์šธ, ํ•œ๊ตญ

2013 ๋‚ด์ ๊ฐ๊ฐ, ๊ฒฝ๊ธฐ๋„๋ฏธ์ˆ ๊ด€, ์•ˆ์‚ฐ, ํ•œ๊ตญ

2013 ์•„ํŠธ๊ด‘์ฃผ13, ๊น€๋Œ€์ค‘์ปจ๋ฒค์…˜์„ผํ„ฐ, ๊ด‘์ฃผ, ํ•œ๊ตญ

2013 ํ•œ๊ตญํ™”์˜ ์ง„ํ™”, ํ˜„๋Œ€์˜ˆ์ˆ ๊ด€ ๋ฏธ์ˆ ๊ด€, ์šธ์‚ฐ, ํ•œ๊ตญ

2012 Big Black Smoke, ๊ฐค๋Ÿฌ๋ฆฌ๊ฒ์ƒค, ํ•จ๋ถ€๋ฅดํฌ, ๋…์ผ

2012 ๋ฐ”์ธ  ํ˜๋ช…์ „, ๊ฒฝ๊ธฐ๋„๋ฏธ์ˆ ๊ด€, ์•ˆ์‚ฐ, ํ•œ๊ตญ

2011 ํ•œ๊ตญํ˜„๋Œ€๋ฏธ์ˆ ์˜ ์ŠคํŽ™ํŠธ๋Ÿผ, ์นด์š”์Š๋ฏธ์ˆ ๊ด€, ์นด์˜ค์Š, ๋Œ€๋งŒ

2011 ํ•œ๊ตญํ™”์˜ ์žฌ๋ฐœ๊ฒฌ, ์„ฑ๋‚จ์•„ํŠธ์„ผํ„ฐ, ์„ฑ๋‚จ, ํ•œ๊ตญ

2011 Wonderpia(Wonder+Heteropias), ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2010 ํ•œ๊ตญํ™” ํŒํƒ€์ง€, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2010 ์™€์šฐ~ ํผ๋‹ˆ ํŒ, ๊ฒฝ๋‚จ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฐฝ์›, ํ•œ๊ตญ

2010 ํ•œ๊ตญํ™”์˜ ์ด๋ฆ„์œผ๋กœ, ํฌํ•ญ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ํฌํ•ญ, ํ•œ๊ตญ

2010 ํ—ˆ์ƒ๊ณผ ์š•๋ง์—์˜ ๊ธฐ๋ก, ์‹œ์•ˆ๋ฏธ์ˆ ๊ด€, ์˜์ฒœ, ํ•œ๊ตญ

2010 Art Docking Spot, ์šฐ๋ช…๋ฏธ์ˆ ๊ด€, ํ•˜๋‚จ, ํ•œ๊ตญ

2010 ์•„ํŠธ๋กœ๋“œ77, ๊ธˆ์‚ฐ๊ฐค๋Ÿฌ๋ฆฌ, ํ—ค์ด๋ฆฌ, ํ•œ๊ตญ

2010 do Window vol2, ๊ฐค๋Ÿฌ๋ฆฌํ˜„๋Œ€, ์„œ์šธ, ํ•œ๊ตญ

2010 ํผ๋ธ”๋ฆญ์•„ํŠธ ๋‰ดํžˆ์–ด๋กœ, ๊ธˆ์‚ฐ๊ฐค๋Ÿฌ๋ฆฌ, ํ—ค์ด๋ฆฌ, ํ•œ๊ตญ

2010 SH CONTEMPORARY, ์ƒํ•ด, ์ค‘๊ตญ

2010 ART BEIJING, ๋ถ๊ฒฝ, ์ค‘๊ตญ

2010 CIGE ๋ถ๊ฒฝ, ์ค‘๊ตญ

2010 ์ฝ”๋ฆฌ์•ˆ ์•„ํŠธ ์‡ผ, ๋ผ๋ฒ ๋‰ด๋‰ด์š•, ๋‰ด์š•, ๋ฏธ๊ตญ

2010 AHAF-seoul, ์‹ ๋ผํ˜ธํ…”, ์„œ์šธ, ํ•œ๊ตญ

2010 AHAF-hongkong, ๊ทธ๋žœ๋“œํ•˜์–ํŠธํ˜ธํ…”, ํ™์ฝฉ, ์ค‘๊ตญ

2009 Tri-VISTA of Korea, ์•„ํŠธ์ปดํผ๋‹ˆ H, ์„œ์šธ, ํ•œ๊ตญ

2009 ์ธ์‚ฌ๋ฏธ์ˆ ์ œ, ์•„ํŠธ์‚ฌ์ด๋“œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2009 ํžˆ์–ด๋กœํ”ผ์•„, ์„ธ์˜ค๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2009 ์•„ํŠธ๋กœ๋“œ 77, ํ•œ๊ธธ์•„ํŠธ์ŠคํŽ˜์ด์Šค, ํ—ค์ด๋ฆฌ, ํ•œ๊ตญ

2009 ๋ธ”๋ฃจ๋‹ท์•„์‹œ์•„, ์˜ˆ์ˆ ์˜์ „๋‹น, ์„œ์šธ, ํ•œ๊ตญ

2009 ์•Œํ† ๋ถ€์‚ฐ2009, ์„ผํ…€ํ˜ธํ…”, ๋ถ€์‚ฐ, ํ•œ๊ตญ

2009 AHAF-seoul 09, ํ•˜์–ํŠธํ˜ธํ…”, ์„œ์šธ, ํ•œ๊ตญ

2009 ์•„ํŠธ๋Œ€๊ตฌ 2009, ๋Œ€๊ตฌ์—‘์Šค์ฝ”, ๋Œ€๊ตฌ, ํ•œ๊ตญ

2009 KIAF, ์ฝ”์—‘์Šค, ์„œ์šธ, ํ•œ๊ตญ

2009 ์•„ํŠธ๋ถ€์‚ฐ, ๋ฒก์Šค์ฝ”, ๋ถ€์‚ฐ, ํ•œ๊ตญ

2008 TCAF, Toubi Bijyutsu Club, ๋™๊ฒฝ, ์ผ๋ณธ

2008 ์›๋”๋ธŒ๋žœ๋“œ, ๊ฐ€๋‚˜์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ

2008 IYAP2008, ์ธํ„ฐ์•Œ๋ฆฌ์•„, ์„œ์šธ, ํ•œ๊ตญ

2008 Art Group Start, ํŒŒ์ด๋„จ์Šค๋นŒ๋”ฉ, ์„œ์šธ, ํ•œ๊ตญ

2007 ํ•œ-์ค‘ ํ˜„๋Œ€๋ฏธ์ˆ ์ „, ๋Œ€์ „์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋Œ€์ „, ํ•œ๊ตญ

2006 ๋งŒ๋‚จ ๊ทธ๋ฆฌ๊ณ  ๊ณต์œ , ๊ฐค๋Ÿฌ๋ฆฌ์œจ, ๋ถ„๋‹น, ํ•œ๊ตญ

2006 Drawing is… , ๊ฐค๋Ÿฌ๋ฆฌ๋‹ค, ์„œ์šธ, ํ•œ๊ตญ

2006 ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ž‘์€ ์†Œํ’ˆ์ „, ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€์ด์•„, ์„œ์šธ, ํ•œ๊ตญ

2006 ๋‚ด ์ด๋ฆ„์„ ๋ถˆ๋Ÿฌ์ค˜, ๊ณตํ‰์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ

2006 Moden Korea Painting, ๊ฐค๋Ÿฌ๋ฆฌํƒ€๋ธ”๋กœ, ์„œ์šธ, ํ•œ๊ตญ

2006 ์„œํ•ด ๋ฒจํŠธ์ „, ๋‹จ์›๋ฏธ์ˆ ๊ด€, ์•ˆ์‚ฐ, ํ•œ๊ตญ

2006 ํ•œ-์ค‘ ๊ต๋ฅ˜์ „, ์—ผํ™ฉ๋ฏธ์ˆ ๊ด€, ๋ถ๊ฒฝ, ์ค‘๊ตญ

2006 ํ™์ต๋Œ€ ๋™๋ฌธ์ „, ๊ณตํ‰์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ

2005 Seoul Young Biennale, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2005 Moden Korea Paing Today & Tomorrow, ์ดํ˜•์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ

2005 ์‹ ์ง„์ž‘๊ฐ€๋ฐœ์–ธ์ „, ํ† ํฌํ•˜์šฐ์Šค, ์„œ์šธ, ํ•œ๊ตญ

2005 ์™€์›์ „, ํ™์ต๋Œ€ํ•™๊ต ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ

2005 ํ•„๋ฌต์ „, ๊ณตํ‰์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ, ํ•œ๊ตญ

2005 ๋น„์ „-ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ๋‹ค์–‘์„ฑ, ๊ฒฝํ–ฅ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ํ•œ๊ตญ

2005 ํ•œ-์ค‘ ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ๋‹ค์–‘์„ฑ, ์„ธ์ข…๋ฌธํ™”ํšŒ๊ด€, ์„œ์šธ, ํ•œ๊ตญ


์ฃผ์š” ์ˆ˜์ƒ ๋ฐ ๋ ˆ์ง€๋˜์‹œ

2022 ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ RE:SERCH ์ง€์›, ํ•œ๊ตญ

2018 ๋ชจ๋ฉ˜ํˆผ์—์–ด ๋ ˆ์ง€๋˜์‹œ, ๋ฒ ๋ฅผ๋ฆฐ, ํ•œ๊ตญ

2017 ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ ๊ตญ์ œ๊ต๋ฅ˜๊ธฐ๊ธˆ ์„ ์ •, ํ•œ๊ตญ

2016 ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ ๊ตญ์ œ๊ต๋ฅ˜๊ธฐ๊ธˆ ์„ ์ •, ํ•œ๊ตญ

2011  ์•„ํŠธ์‚ฌ์ด๋“œ ๋ถ๊ฒฝ ์ŠคํŠœ๋””์˜ค ์ž‘๊ฐ€ ์„ ์ •, ํ•œ๊ตญ

2009 ํผ๋ธ”๋ฆญ์•„ํŠธ ๋‰ดํžˆ์–ด๋กœ ์„ ์ •, ํ•œ๊ตญ

2008 ์„ธ์˜ค ์˜์•„ํŠธ์ŠคํŠธ ์„ ์ •, ํ•œ๊ตญ

2007 ๋‹จ์›๋ฏธ์ˆ ์ œ ์ตœ์šฐ์ˆ˜์ƒ, ํ•œ๊ตญ

2006 ๊ฒฝํ–ฅ์•„ํŠธํŽ˜์Šคํ‹ฐ๋ฒŒ ๋Œ€์ƒ, ํ•œ๊ตญ


์ฃผ์š” ๊ต์œก 

2020-           ์„ฑ์‹ ์—ฌ์ž๋Œ€ํ•™๊ต ์™ธ๋ž˜๊ต์ˆ˜, ์„œ์šธ, ํ•œ๊ตญ

2012-2015     ์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต ๊ฒธ์ž„๊ต์ˆ˜, ์„œ์šธ, ํ•œ๊ตญ

2008-2010   ์ถฉ๋ถ๋Œ€ํ•™๊ต ์™ธ๋ž˜๊ต์ˆ˜, ์ฒญ์ฃผ, ํ•œ๊ตญ 

2006-2009  ํ•œ๋‚จ๋Œ€ํ•™๊ต ์™ธ๋ž˜๊ต์ˆ˜, ๋Œ€์ „, ํ•œ๊ตญ


์ฃผ์š” ์ž‘ํ’ˆ ์†Œ์žฅ์ฒ˜

์ฃผ ์—์ฝฐ๋„๋ฅด๋Œ€์‚ฌ๊ด€, ํฌํ•ญ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, BMW ๋ณธ์‚ฌ, BMW ์ฝ”๋ฆฌ์•„, Volkswagen ์ฝ”๋ฆฌ์•„, ํ•œ๋…๋ชจํ„ฐ์Šค, ๋™์„ฑ๋ชจํ„ฐ์Šค, ํŒŒ๋ผ๋‹ค์ด์Šค ๋ฌธํ™”์žฌ๋‹จ, ํŒŒ๋ผ๋‹ค์ด์Šค ์‹œํ‹ฐ,  ํŒŒ๋ผ๋‹ค์ด์Šค ํ˜ธํ…” ๋ถ€์‚ฐ, ํŒŒ๋ผ๋‹ค์ด์Šค ์นด์ง€๋…ธ ์›Œ์ปคํž, ์ž„ํŽ˜๋ฆฌ์–ผํŽ ๋ฆฌ์Šค ํ˜ธํ…”, ๊ณจ๋“ ๋“€